Titus Groan's journey: From Gormenghast to the City
Abstract
The protagonist’s passage from the world of Gormenghast in Mervyn
Peake’s Titus Groan and Gormenghast, the first two volumes of the story, to
the futuristic world of the City in the third volume, Titus Alone, is often seen
as a break between the two worlds. This unexpected passage from one
world to another also brings an unexpected switch to science fiction. Both
these changes, the passage to another, radically different world and a shift
to science fiction, are not so abrupt or radical as they may seem on the
surface.
Placing the Gothic and science fiction features into the spotlight, while
not denying the existence and importance of others, can show how the reality in the trilogy is shaped, how its two worlds are connected into a whole,
and how they give one another shape in the overall picture of Gormenghast.
Together, they can add to the illumination of the anomaly of Mervyn Peake’s
story of Gormenghast.
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